Sometimes a show is so surprising that it takes a while to fully analyse what you have witnessed. This could be for a variety of reasons but ultimately, after a good night’s sleep, you can put all the ducks in a row and be at ease with the play. So, having got that out of the way, let’s take a look at The Principle of Uncertainty which I recently saw at the Draper Hall, Elephant & Castle’s newest theatrical venue.
As the doors opened, we were told that the lecture was about to start – a comment that raised a few eyebrows amongst the audience members – and that we were free to have a look around before taking our seats. This was worth doing as there were biographies of famous scientists on display, and personally, I would have welcomed a little bit longer to read them. However, in the lecture theatre type space, was Laura Bailey (Abi McLoughlin) who was occupying the time by coin tossing. As we took our places, Laura stopped what she was doing and welcomed us to our lecture on quantum mechanics. As Freshers we were given a bit of a high-level overview of quantum mechanics including some of the work of Austrian physicist, Erwin Rudolf Josef Alexander Schrödinger famous for, among other things, his mathematical equation that described the evolution over time of a physical system in which quantum effects, such as wave-particle duality, are significant – okay, I had to look that up to remind myself of it. As the lecture goes on, we move into more theories and experiments, including the Double Slit Experiment and possibly one of the most famous theoretical devices known to humanity – Schrödinger’s Cat. During the lecture, Laura’s persona changes from that of dedicated quantum mechanics lecturer to someone more human and vulnerable whose love of probability and certainty may have more to do with personal factors and dreams than pure scientific interests.
Abi McLoughlin
I’m going to be honest, like some other members of the audience, I was slightly concerned that maybe I had arrived at the wrong event when The Principle of Uncertainty, started. However, Abi McLoughlin is such a brilliant performer that a couple of minutes in, I actually didn’t care if this was a play or an actual lecture. The subject matter itself was fascinating, full credit to writer Dr Andrea Brunello, and I have to admit I was amazed at how quickly I really got into the subject itself and actually managed to follow the science. Thanks to some excellent writing and acting, I had a lot of thoughts about subtle messages during the show. For example, Laura’s talked mentioned ‘nature’ a lot which initially struck me as slightly odd for a scientist but, as the play went on, and the story became more personal, started making much more sense in my head. It felt as if, to Laura, Nature was a literal thing, almost like God but without the mysticism associated with religion – an interesting concept. There was something else that really struck a chord with me, and that was Laura’s hair. She was continually – and to me it seemed unconsciously – winding it into a bun and then, as she moved around giving her lecture, it would fall down about her shoulders once more. I don’t know if this was a deliberate piece of direction by Stefania Bochicchio but, to my mind, it made a great analogy of the whole principle of uncertainty and how control is ultimately not possible. In fact, as I left and was contemplating the entire show, I did wonder about Laura’s father. Although not mentioned much, he was obviously quite an influence on her.
So, I wasn’t sure what I was expecting from The Principle of Uncertainty and initially I still wasn’t sure but, by the end, I had a great time seeing an excellent performance of a really fascinating subject which addressed one of the age old questions concerning science and humanity and the ability of the two to coexist in probable but uncertain togetherness.
Dawid Minnar Janine Ulfane – Photograher credit Alixandra Fazzina. “Survival of the fittest” is a phrase that originated from Darwinian evolutionary theory as a way of describing the mechanism of natural selection. Which means that even in the most inhospitable of placers, life will find a way – even if at times, you may look and think what’s the point? For example, in South Africa, the aloe plant is considered one of the country’s most powerful, beautiful and celebratory symbols. It survives out in the wild when everything else is dried. At the end of everything, the aloe is still there. And it is this survival that is at the heart of Athol Fugard’s A Lesson From Aloes which has returned to the UK and is currently in residence at the Finborough Theatre. Set in South Africa in 1963, where apartheid is at its height and the citizens are living in a paranoid police state. The play revolves around a middle-aged left-leaning couple – Afrikaner Piet Bezuidenhout (Dawid Minnaa...
Since 1912, the Blackburn Musical Theatre Company has been entertaining the theatre going folks of this Lancashire town with their annual musical production. In that time, they have covered the vast array of musical theatre from their first production - Sunday - through to their latest - Hello Dolly - which I caught at the Blackburn Empire Theatre. Dolly Gallagher Levi (Sue Chadwick) is a woman that likes to meddle, or as she puts it, arrange things. Whatever you need doing, Dolly is the person for the job. And right now, she is the talk of turn of the century New York, having brought together Mr Horace Vandergelder (Kris Wlodarczyk), the well-known half-a-millionaire and Mrs Irene Molloy (Laura Mitchell) a widowed millener. Their engagement and subsequent marriage seems pretty much sewn up though neither is marrying for love. Horace, as he tells his Chief Clerk, Cornelius Hackl (Ryan Coe), and Assistant, Barnaby Tucker (Fletcher Illingworth), is looking fo...
Since July 2014, I've seen and reviewed 588 shows altogether. 2017 was a fairly quiet year with a total of 132 shows visited by yours truly. So, in the best traditions of end of the year ideas, here is my list of the top 10 shows that I've seen this year. Please remember, this is my list not anybody else's and if you don't agree with the pick, well, what can I say? 1. Priscilla Queen of the Desert, Bridewell Theatre This story of friendship and hope took two drag queens and a trans woman from Sydney to Alice Springs, in a big pink bus. Along the way, the met new friends and face rampant homophobia. SEDOS brought every element of the show together beautifully, and to a standard that you would expect to see in the West End. Sold out virtually as soon as it was announced, this was the ‘must see production of the year. 2. La Cage aux Folles, New Wimbledon Theatre This is was a touring production of a show that demonstrates the importance of family a...
Comments
Post a Comment