Tezza's Theatre Place

https://www.londontheatre1.com/news/186923/review-antigone-greenwich-theatre-london/ You can choose your friends but you can’t choose your family the saying goes. Given the number of dysfunctional families that seem to inhabit the plays of the ancient Greek writers, I can really empathise with this. To give an example, take the tale of  Antigone  which is currently on a UK tour and which I saw recently at the Greenwich Theatre. The battle for Thebes is over and, as the dust settles the cost is counted. As well as the loss of lives in general, the leaders of the two opposing forces – Eteocles and Polyneices – are also among the dead, having fought and killed each other. This would be a tragedy in normal circumstances but, what makes it worse is that these two were brothers – cursed sons of Oedipus and Jocasta – and with their death, it is now up to their uncle Creon (Nicholas Cass-Beggs) to take up the mantle of ruler of Thebes. One of his first moves is to declare Polyne...

https://www.londontheatre1.com/news/171444/becoming-mohammed-pleasance-theatre/ Becoming Mohammed (Jack Hammett) – courtesy of And Many Others It’s surprising how, even with all the social media and communication devices available, families can drift apart. Mine live up in Lancashire and I get to see them once or twice a year. Imagine though if I had been away for a couple of years and then went home to find my brother had fundamentally changed everything about his life. How would I react? A conundrum that is at the heart of Claudia Marinaro’s new play  Becoming Mohammed  at the Pleasance Theatre. In a very sparse living room, a young man is about to start his prayers. Dressed in a simple white robe and kufi, he carefully places his prayer rug to face Ka’ba and begins to perform Salah. Unfortunately, a loud knocking at the door interrupts his prayers and, he hurries his way through to the end. Removing his Muslim clothes the man is revealed as Thomas (Jack Hammett) a ta...