Tezza's Theatre Place

How does one measure a life and one’s progress from baby to a corpse? According to Shakespeare, “ All the world’s a stage, and all the men and women merely players; They have their exits and their entrances, and one man in his time plays many parts, His acts being seven ages. ” The seven ages of man is a concept that resonates with many people, and none more so than the aged clown in Justin Butcher’s moving play   Scaramouche Jones or The Seven White Masks . Shane Richie, Scaramouche Jones (credit Bonnie Britain). The play starts late on the 31st of December 1999 with the white-faced clown Scaramouche (Shane Richie) coming down the stairs to his dressing room after finishing his last show of the 20th Century. Scaramouche has plans to mark the millennium in a unique way, for tonight is not only his 100th birthday but also, the final day of his life. However, before shuffling off this mortal coil, Scaramouche wants to tell his story. One which starts at the end of the 19th Century an...

  Meeting the man/woman/person of your dreams is difficult enough at the best of times, but in a lockdown situation, it’s pretty much impossible. However, all hope is not lost as, thanks to the wonders of modern technology, there are a preponderance of dating apps where swiping left or right may be the way to meet that special one. Into the field comes a new app,  Manimals , and I was lucky enough to attend a workshop on the App the other night. Before the workshop started, I received instructions on how to set up my Manimals profile, a lot less of a painful experience than for some dating apps. Then, at the appointed time, I opened Zoom and got ready to play – and who knows, meet the partner of my dreams – along with the other workshop members. When we arrived, we were given a briefing by Mimi on the workshop and the technical and access support available to us. We were also warned that the workshop wasn’t really SFW, which intrigued me even more. We then went off in pairs to...

As theatre has moved online, there have been some valiant attempts to make use of technology in order to bring productions to an audience, starved of live shows. The latest in these events is  The House That Slipped  presented by Teatro Vivo. Prior to the show, I received a quiz, or questionnaire to complete, Show starts with a very friendly technical run-through, which is interesting as the 2070 technology is far above ours in 2020. Soleen (Bernadette Russell) then came on and taught us our first bit of 2070 etiquette, how to say hello. Next, we were whisked off to 12 Laburnum Drive, where we got to meet the residents Kevin Baxter (Michael Wagg), his wife Sandra (Sarah Finigan), her sister Julia (Kas Darley) who is living with the Baxter’s, through no fault of her own and finally Yasmin (Tasha Magigi) from the flat upstairs. After the introductions, the group tells us what their current situation is. Whilst being on lockdown during the 2020 Coronavirus pandemic, they had some...

COVID-19 is not the first pandemic where the nations of the world have been proved to not really have as to how to handle it. Back in the 1980’s HIV and AIDS descended and destroyed the lives of many, many people. But, unlike COVID, AIDS also came with a stigma attached. People were terrified of catching it and people that did have it were treated as outcasts of society. And then, one day in 1987, the most famous woman in the world did something extraordinary, that started a revolution of acceptance and understanding. That event is captured in Nicky Allpress’s new film  Moment of Grace , written by Ben Gosling. Told as a series of intermingled monologues, Moment of Grace, is the story of the day Princess Diana opened the Broderip ward in the Middlesex Hospital. A fairly normal day for a royal you might think. A few handshakes, some well-chosen words, unveiling a plaque, then some nibbles and back home to the palace in time for tea. But this visit was unique in the annals of th...

Every Seven Minutes by Ken Preuss Once again, Encompass Productions brings us a selection of short one-act plays.  The evening started with Every  Seven Minutes by Ken Preuss Performed by Ryan Brannon and Cate Olivia Directed by Jonathan Woodhouse Two godlike type people in the “every seven minutes room” whose job is to ensure that things that happen every seven minutes occur. For example, apparently, every seven minutes a double rainbow appears, and these two make it happen. The chap (Ryan Brannon) takes it all in his stride and doesn’t care what the consequences are of his actions. So, every seven minutes he makes a person drown, but doesn’t have any interest in who that person is or what their circumstances are. To him, it’s just a job, whereas the girl, who is new in the role, seems to have trouble disassociating her actions from emotions. She rebels against the system that affects the lives of random people every seven minutes, leading to an unexpected end of the p...

Paul Hunter (Albin), Simon Hepworth (Mercédès) and Michael Matus (Georges) in La Cage aux Folles [The Play] at Park Theatre. Photo by Mark Douet. So, you’ve gone and done it. You’ve met the love of your life, wined and dined them and finally proposed. They’ve accepted and now it’s time to think about the wedding preparations. But before the big day itself, something else needs to happen. The two sets of parents need to meet. A daunting enough experience for any young couple, but if the respective families come from very differing backgrounds, then the problems can really mount. Welcome to the first English version of  La Cage aux Folles (The Play)  at the Park Theatre. Georges (Michael Matus) and Albin (Paul Hunter) are a fairly normal couple living in Saint Tropez. Well, normal may not be the ‘mot juste’. George is the owner of a nightclub called, La Cage aux Folles, and his partner Albin, is Madame Zaza, the star of the club’s cabaret. George loves his business, even if...

Hannah Norris – After You 2019 credit Mark Gambino. Do you ever think back and wonder what might have been, if….? Like if I hadn’t moved to Lancashire when I was 14 or joined the RAF when I was 21, etc. I’m sure we all do it at some time or another but, do we ever look at our parents and wonder what their life might have been like if they had gone down different paths in their lives? No, me neither. But, luckily for us, Hannah Norris had just that idea and the result is her one-act play  After You  which is currently playing at Soho Theatre. Written by and starring Hannah and her real-life mother Angela Norris,  After You  starts by looking at Angela’s early life. When she was 14, Angela was in the first-ever Australian production of  The Sound of Music  at Melbourne’s Princess Theatre in 1961. But, Angela’s career went no further than that and Hannah wonders if this is because of the social conventions of the time. Mother and daughter discuss this, fr...

Tosca – credit Ali Wright. “ People’s reaction to opera the first time they see it is very dramatic. They either love it or hate it. If they love it, they will always love it. If they don’t, they may learn to appreciate it, but it will never become part of their soul. ” This is probably the most profound sentence uttered in the movie ‘Pretty Woman’. I remember my first opera, ‘Carmen’ at the ENO. I will not say it changed my life, but I was totally hooked on opera as an art form afterwards. Everyone should have a way into the wonderful world of opera, and one of the best I can recommend is at the Trafalgar Studios where they are currently staging  Opera Undone: Tosca & La bohème  sung in English, the two operas have been reviewed and re-written, bringing them firmly up to date, as individual one-hour productions. The night begins with  Tosca . In his studio, the painter Mario Cavaradossi (Roger Paterson) is working on a portrait of a lady. The lady is beautiful a...

Sex Crime – Photo by Matt Spike According to Oscar Wilde, imitation is the sincerest form of flattery, and in many ways that’s true. Even an unflattering parody means that you have arrived and been noticed. I say this because this form of flattery is taken to an extreme length in Alexis Gregory’s play  Sex/Crime  at the Soho Theatre. Two men stand in a dark room with plastic covered walls. There is not much to see. A large red sofa and a metal stand, both also covered in plastic, are the room’s only furnishings. The two men – no names, so let’s call then A (Jonny Woo) and B (Alexis Gregory) – are, in fact customer and client. The service offered is to recreate the killings of a gay serial killer. On offer are various gruesome scenarios. All of which emulate the work carried out by ‘Him’ as they refer to the real killer. Both men have their own role in the ‘game’ but, as things progress, the lines between client, customer, killer and client become blurred leading to a final...

Can one ever choose where the heart leads one? That is the problem for the protagonist in Tim Fraser’s  Candy  at the King’s Head theatre. Will (Michael Waller) is an ordinary northern lad. He’s young, OK looking and reasonably well educated. He lives at home with his mum and Great Aunt, has a pretty good job that he is good at and enjoys nights out with the lads. One of the lads is his old mate from school, Billy. Who has returned home from London. Billy has a band, and really wants Will to go and see them. Reluctantly, Will agrees and goes along. An action that will have a profound effect on his life. For the lead singer in Billy’s band is a lady called Candy, when Will sees her, it is love at first sight. Candy epitomises everything Will thinks of as the perfect woman and he is smitten from the moment the spotlight picks her out. There is only one problem, Candy is actually Billy in drag. Whilst Will knows this, and has no feelings – aside from friendship for Billy – h...

PBGSTUDIOS: Ashley Byam, Keeran Blessie, Declan Spaine. People go to university for many reasons. For the majority, the main one is to get a degree and, following that, a good job. However, along with the educational aspects, university is also a place to make life-long friendships and maybe even meet your one true love. But what happens afterwards? A question that is addressed in Jake Brunger’s  Four Play  at the Above the Stag Theatre. Seven and a half years after having met, and fallen in love, at university, Pete (Keeran Blessie) and Rafe (Ashley Byam) are still together and still in love. They have a lovely apartment and live the perfect DINK life – wearing designer clothes, shopping at Sainsbury’s, drinking Chablis and enjoying snacks containing sun dried tomatoes. Life couldn’t be any better for these two. But there is a niggling doubt that has wormed its way into their relationship. After over seven years together, Rafe and Peter couldn’t have a firmer relationshi...

Falling In Love Again – Ramona Von Pusch (Marlene Dietrich) Ashton Spear (King Edward VIII) – Photo Phil Swallow. What would you give up for love? I know people that have given up their job, the family and their friends, even moving to another country all in the name of love. But few people would give up everything they have worked and been trained for since birth. However, in the early part of the twentieth century, one man did, and his story forms the backbone of Ron Elisha’s play  Falling in Love Again  at the King’s Head Theatre. It is the 10th December 1936 and King Edward VIII (Ashton Spear) is in his study contemplating his future. Tomorrow he is due to sign the Act of Abdication, renouncing his throne forever. Tonight though, he is still king and, because of this, he has an unexpected but very welcome visitor to his Fort Belvedere home. The visitor is Hollywood screen goddess Marlene Dietrich (Ramona Von Pusch) who has taken a break from filming in London and come...

My first show of 2020 sees me, once again Islington bound, to the fabled King’s Head for Unleash the Llama’s production   JEW…ish . This is the story of TJ (Edie Newman) and Max (Saul Boyer) two millennials that met at university, were members of the polyamory society and shared many experiences together. Now they have left Uni and are in the real world – Max is a not very successful stand-up comic (and part time barista) whilst TJ is a performer who expresses herself through the world of creative interpretive dance. They are still together – sort of – and probably have as many differences with each other as they do things in common. For example, Max is Jewish, and has the stereotypically large overbearing family to go with it, whilst TJ is definitely a Gentile and firmly believes that Max’s family hates her. Given their history can, and indeed should, these two try and make a go of things, or should, and indeed can, they let each other go their separate ways? What a great sta...

For reasons associated with the “Day Job”, I was only able to get to 69 shows this year for London Theatre 1 and the Offies .  However, it has still been a pretty good year for me theatrically, with 24 productions receiving 5 stars. This either means I am getting softer in my old age, or there are some pretty impressive shows out there.  Let’s delve into the top 10 of these and see what we think. No 10 - Operation Black Antler at the Southbank Centre This is the first of two immersive theatre shows in the top 10, and was a real surprise.  To quote the blurb I received - “In Operation Black Antler you are given a new identity as part of a small team; you are briefed and then sent into an undercover operation. You must meet, build empathy with and ultimately try to win the trust of someone whose political and moral views may be the polar opposite of our own. What will you do when the power is in your hands?” - and they weren’t kidding.  Like most immersive th...