Tezza's Theatre Place

https://www.londontheatre1.com/news/192567/review-the-narcissist-the-hen-and-chickens-theatre/ Self-help books, CDs and DVDs are ten a penny these days. There are whole sections in Waterstones and Foyles dedicated to helping you improve yourself. However, while all of these try to teach the reader how to feel better about themselves, very few – possibly with the exception of Sarah Knight’s  “The Life-Changing Magic of Not Giving a F**k ” take things to a real extreme. That is until Flux Theatre presented  The Narcissist  which I saw at the Hen & Chickens Theatre. How to describe  The Narcissist ? Now that really is a question. Well, writer/performer Will Adolphy has put together a sort of ‘Ted Talk’ with a difference. At the heart of his message is himself, me, you, everybody and the fact that we are, or possibly should be, the most important people in our world. That’s not to assume we are – particularly when confronted with the rather stark answer to the ...

https://www.londontheatre1.com/news/177561/review-of-yank-at-charing-cross-theatre/ The company of YANK! at Charing Cross Theatre, credit Claire Bilyard 50 years ago, in 1967, homosexuality was partially decriminalised in England. In 2000 it became legal to be gay and a member of the UK armed forces. In the USA, the ban on gay folk serving wasn’t fully lifted until 2011. Why do I tell you this, you may ask. Well, the reason is that during WWII it was illegal to be gay in the armed forces and, despite the desperate need for men and women to serve, LGB personnel were persecuted by the military police for being who they were. Yet, when general conscription has been announced and the military machine is desperate for manpower, it’s inconceivable that the odd gayer didn’t slip past and serve their country. Their stories were never told until now as Joseph and David Zellnik’s musical  Yank!  opens at the Charing Cross Theatre. It’s 1942 and the USA has finally noticed that E...

https://www.londontheatre1.com/news/166447/what-shall-we-do-with-the-cello-review-vault-festival/ The Vault Festival is renowned for the diversity of its productions. Over the course of the festival, there will be a show or two that are pure ‘marmite’, loved by some and disliked by others. An example of this can be found in Atelier Theatre Studio’s UK premiere of Matei Visniec’s  What Shall We Do With the Cello? . The action is set in a waiting room where there are four chairs, a cello and a bow. Suddenly, in rushes, a man (Nick Allen) obviously getting away from the storm outside. He picks up the cello and starts to play. The music is very contemporary, with hard, discordant notes that jar the ears rather than a flowing melody. Soon after the man starts to play, the Lady with the Veil (Simona Armstrong) enters. She is young and pretty but and has a rather prim and proper appearance. The two of them are not alone for long and are soon joined by The Man with the Stick (Mihai A...

https://www.londontheatre1.com/news/165886/the-hiv-monologues-ace-hotel/ The HIV Monologues (c) Eliza Goroya According to the National AIDS Trust, in 2015 nearly 90,000 in the UK received HIV specialist care. That’s quite a figure. HIV is no respecter of gender, age, sexual orientation or religion and between 2006 and 2015, there has been a 73% increase in the number of people accessing HIV care. It’s a difficult subject to talk about, and one probably avoided at most dinner parties. But Patrick Cash’s new play  The HIV Monologues  which I saw at the Ace Hotel, Shoreditch, is a wonderful way to get the conversation started. ‘Resting’ actor Alex (Denholm Spurr) has a lot going on at the moment. Not only is he about to go on a first date with Tinder match Nick (Kane Surry) but tomorrow, he is going to a hospital to audition for a role in a play by writer Barney (Jonathan Blake). Alex and Nick’s date is going well – after Nick’s horrendous opening flirting and dreaming up ...

http://www.carnstheatrepassion.com/review-hip-the-2017-vault-festival-until-feb-5th/ Remember the old song,”if you go down to the woods today, you’re sure of a big surprise”? Well, let’s bring it right up to date with some new lyrics so, altogether now “If you go down to the Vaults this month you’re sure of a big surprise”. Yes, the annual Vaults festival is back causing thousands of people to go underneath Waterloo station, walk along the fascinating road known as graffiti street and enter a subterranean world where not just every night is a different but every hour brings surprises galore. Last night I had my first visit to the festival of 2017, to see Jolie Booth’s one woman show Hip. Now, the first thing about this show you need to know is that this is not an ordinary show. Any production that starts with a notice at the entrance stating “This is an Extra-live Performance. Audiences are invited to respond to a show in whatever way feels natural; Latecomers’ are permitted” is n...

https://www.londontheatre1.com/news/164377/out-there-on-fried-meat-ridge-rd-at-the-white-bear-theatre/ On Fried Meat Ridge Road  (incidentally, a real road in West Virginia) is a run down sort of motel owned by a grizzled old-timer called Flip (Michael Wade) who is happy to call a spade a spade and for whom political correctness is something that happened to other people. Still, he runs a pretty tight motel, especially with the help of hillbilly handyman J.D. (Keith Stevenson). J.D. is a friendly soul and has recently advertised for a roommate to join him and partake of his speciality food, tuna sandwiches and a Lee Marvin (vodka and Mountain Dew). The timing is perfect for down at luck Mitch (Robert Moloney) who had not had a good time recently and is looking for somewhere to live that will widen his social circle. Whether he really wants to widen that circle to include trailer trash couple Tommy (Dan Hilderbrand) and Marlene (Melanie Gray) who don’t exactly discuss their pers...

https://www.londontheatre1.com/news/162673/the-kite-runner-wyndhams-theatre-review/ You have to love the wide variety of shows currently in London’s West End. Musicals may dominate but there are some fantastic straight plays on as well. And 2017 has started well with  The Kite Runner  opening its doors at Wyndham’s Theatre. Based on Khaled Hosseini’s 2003 novel of the same name,  The Kite Runner  takes the audience on a roughly thirty-year journey through the life of Amir (Ben Turner). Amir is a middle-class Afghan boy living with his merchant father (Emilio Doorgasingh). The two live together but are not very close. Amir believes it is because his father blames him for the fact his mother died in childbirth. Amir is not really interested in business and wishes to pursue a career in writing. His father doesn’t understand this and often chides the boy for his perceived weakness and lack of courage. Luckily, Amir can talk to his father’s closest friend Rahim Khan...

https://www.londontheatre1.com/news/158767/review-glockenspiel-tristan-bates-theatre/ Military life isn’t for everyone. Even in peacetime, it puts a lot of strain on not only the serviceman or woman but also their family and friends. In a time of conflict, that strain gets even more intense. This gets worse if the service man/woman doesn’t fully believe in the cause and justness of the action they are being ordered to take. However, possibly the most difficult part of military life is when it ends. After a lifetime of service, adjusting to civilian life can be traumatic, to say the least. All of these themes and more are examined in Steven Dykes  Glockenspiel  at Soho’s Tristan Bates Theatre. Glockenspiel tells the story of the funerals of three current and former members of the American armed forces. Whilst none of the deceased died on active service, they are all entitled to and receive a military funeral. At each, the Defence Department has supplied an Honour Gua...