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Flux Theatre Present: Chutney at Bunker Theatre | Review

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Chutney – © Rah Petherbridge Photography A few years ago, my dad and I had a long and heated discussion about attraction and what attracts one person to another. And when you look around at couples you know or see, I’m sure at some time you’ve thought to yourself ‘why are those two together?’ Attraction can be based on many things. Physical appearance, background, interests, religion, all of these can be factors. Sometimes though, as in the case of the protagonists of  Chutney  at the Bunker Theatre, the real reason they were attracted to each other doesn’t become fully apparent until long after the relationship has begun. University sweethearts Claire (Isabel Della-Porta) and Gregg (Will Adolphy) have been together for 6 years. They are the classic DINK, settled into their nice middle-class life. Gregg is a teacher and Claire has some high powered job with a long, long title in an agency. They are the ultimate example of an up and coming power couple. What more could...

Review of Open Clasp’s Rattle Snake at Soho Theatre

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Open Clasp Snake Coercive controlling domestic abuse may not sound like a good subject to turn into an entertainment for the masses. When the play is based on real-life stories from women that have suffered and survived such abuse, then it starts to sound even less like something I would want to see. However, being nothing if not professional, I went along to the Soho Theatre to see Open Clasp’s production  Rattle Snake . In a cube-shaped stage, two women sit at a dinner table facing each other. They don’t speak to each other but they are interacting by carrying out a set of what looks like ritual moves with the glasses on the table. As they get faster, one of the women makes a mistake and the two freeze, looking around in fear, waiting for something or someone to react to the mistake. When nothing happens, the two relax slightly, then start again. After a while, they stand and talk to the audience. We learn that they are Suzy (Christina Berriman Dawson) and Jen (Eilidh Talman...

4 Star Review of Room at Theatre Royal Stratford East

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https://www.londontheatre1.com/news/171908/review-room-theatre-royal-stratford-east/ Fela Lufadeju, Harrison Wilding and Witney White – Room (c) Scott Rylander One of the strongest bonds on the planet is that between a mother and her child. Very little can break that under normal circumstances but what if that mother has brought her son into the world under conditions of extreme and continual duress? Welcome to Emma Donoghue’s  Room  which is receiving its world premiere at the Theatre Royal Stratford East this month. Little Jack (Harrison Wilding) is five years old today. To him, this is a momentous day as he is now grown up and his inner voice, Big Jack (Fela Lufadeju) can’t wait to celebrate his birthday with Ma (Witney White). However, unlike other children, Jack and Ma will be celebrating in Room, the single space in which they live and Jack’s entire world. Seven years previously, Ma – then a 19-year-old girl – was abducted by Old Nick (Liam McKenna) who has impriso...

The Inevitable Disappearance of Edward J. Neverwhere

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https://www.londontheatre1.com/news/168794/the-inevitable-disappearance-of-edward-j-neverwhere/ The Inevitable Disappearance of Edward J. Neverwhere  is a new piece of work that is currently at BasicSpace in Peckham. Before we start, there is one thing that needs to be made clear. We are not looking at your average tale with Edward J. Neverwhere here. Edward (William Sebag-Montefiore) is not real, he is the paper creation of a young boy who needs a friend of his own to help him cope with the awful home life he has. The boy shares everything he can with Edward, including his most prized possession and for his part, Edward promises to always be with his young friend. However, things change and as the boy changes, so does Edward, who finds that the only certainty in life is that one day it will end. Paper dominates this performance of  The Inevitable Disappearance of Edward J. Neverwhere  and on entering the performance space the audience is free to wander around and r...