Tezza's Theatre Place

2018 Bleach – Paris Fringe The Vault Festival continues to amaze and entertain with a whole range of shows and productions that cover every taste and interest. Virtually everything I have seen in the years I have been covering the Vault Festival has been somewhere between good and awesome – in fact, only one show comes to mind that I really didn’t like. However, occasionally there is a production that totally takes your breath away and leaves you with a profound sense of seeing – and maybe participating in – something exceptionally special. A case in point is Dan Ireland-Reeves’  Bleach  which runs at the festival until the 10th February. Tyler Everett is a lad who has a degree under his belt and has, like so many others, come to London to make his fortune. Unfortunately for Tyler, his life is not like Dick Whittington’s and he is currently living in a small – or compact and bijou in estate agent speak – bedsit. His initial entry into the employment world sees him startin...

The Night Alive Have you ever been banjaxed? I first heard that word a good many years ago when Terry Wogan used it in his radio show. It’s a good Irish word meaning among other things confounded. The reason I mention this is because I was left feeling banjaxed after seeing Conor McPherson’s The Night Alive at the Jack Studio Theatre in Brockley Tommy (David Cox) is in his early fifties. He is a bit of a jack-the-lad but he is also lonely. He is estranged from his wife and kids and is currently living in a little room in the house owned by his uncle Maurice (Dan Armour). Tommy doesn’t really work in the conventional sense of the word. He has a van and, with the help of his friend Doc (Eoin Lynch), he makes some sort of living doing odd jobs and moving things for people. Doc and Tommy rub along just fine until one night when Tommy rescues a young girl called Aimee (Bethan Boxall) from being beaten and takes her home, which like Tommy himself, may not be much to look at but is at lea...

https://www.londontheatre1.com/news/173480/review-punts-theatre503/ Punts, Theatre503 – Christopher Adams and Florence Roberts (courtesy of Claudia Marinaro) Parents always want what is best for their offspring. That’s a pretty fundamental fact of life really. For most parents, it’s fairly simple. Keep the sprog safe and warm, send them to school and provide a safe haven for them as they learn life’s various lessons before they are ready to stretch their wings and fly the nest. However, things are different as Jack has a learning disability. In these cases, Parents not only need to do everything above but will also try and provide as normal a life as possible for their youngster, even if this means doing things they themselves are not entirely happy with. This idea forms the backdrop to Sarah Page’s one-act play  Punts  at Theatre503. In a very nice West London house, a young lad is getting ready for an important night. Jack (Christopher Adams), a young man with le...

https://www.londontheatre1.com/news/172953/review-whitechapel-suspects-lunatics-and-a-leather-apron/ The year is 1888 and the place is East London. As summer comes to an end the area is rocked by the horrific murders of two ‘working’ girls. The murders are bizarre and violent and the locals are running scared. Welcome then to  Whitechapel: Suspects, Lunatics and a Leather Apron  an immersive trip into this world. The experience starts before your actual trip back in time. After booking, the audience members receive various emails giving them information about the murders and the experience they will be going through. Interestingly, among the emails is a disclaimer – something I’ve never had to complete for an immersive production before – which needs to be signed before the adventure begins. At the appointed time, you arrive in a nondescript road in London’s East End standing by a blue door and waiting for kick-off. A friendly local confirms your name – and that you have...

http://www.lastminutetheatretickets.com/londonwestend/crime-and-punishment-brockley-jack-studio-theatre-review/ When you consider the vast wealth of literature available in the world, you sometimes have to wonder why playwrights decide that certain books should be turned into a piece of theatrical entertainment. For example, imagine taking a novel with around twenty-two listed characters and which the author originally divided into six distinct parts with an epilogue and then distilling all of this down to a ninety-minute one-act play three actors. Personally, I would have given up within the first five minutes. However, Marilyn Campbell and Curt Columbus have more fortitude than me and so, they gave the treatment to Fyodor Dostoyevsky’s 1866 novel  Crime and Punishment  and the result of their work can be seen at Brockley’s famous Jack Studio Theatre The play starts with two men in an office. Rodion Romanovich Raskolnikov, (Christopher Tester) is a young man who, going ...