Tezza's Theatre Place

Simon Callow – A Christmas Carol – Arts Theatre – Photo By Laura Marie Linck. A one-person show needs to have everything right if it is to hope to succeed. A great script, fine staging and an actor who can grab an audience and hold them in the palm of their hand. Fortunately,  A Christmas Carol  at the Arts Theatre has all of these elements covered. It may surprise you to learn that Charles Dickens 1843 novella, A Christmas Carol, has never been out of print. Over the last 175 years, it has been turned into multiple plays, films, television shows, operas, etc. It follows the tale of Ebenezer Scrooge, a London-based moneylender, who Dickens describes in these immortal words as “ a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! ” On Christmas Eve, Scrooge is visited by the ghost of his old business partner Jacob Marley who is offering Scrooge the chance to change and redeem himself. Well, I’m sure you know the rest and if you don’t then that’s yet ...

Cinderella: A Fairytale Well, it’s pantomime time once more and as excited youngsters head off to the traditional Christmas entertainment, not many of them will give thought to the history of this particular theatrical genre. I mention this, as one of the most popular pantos is also one of the oldest, dating back in one form or another to the story of Rhodopis, recounted by the Greek geographer Strabo around 7 BC, about a Greek slave girl who marries the king of Egypt. Over 2,000 years later, I found myself heading over to the Jack Studio Theatre in Brockley for the latest version of the story as  Cinderella: A Fairytale  opens for the festive season. Now, this is no ordinary version of the classic story. Young Ella (Molly Byme) is a girl who spends as much of her time as possible in the woods round her house, communicating with the birds that live there, who have become her only friends since the death of her father. Her home life is not great thanks to her stepmother (B...

Andy Nyman (Tevye) image by Johan Persson. As we get to the end of another year of reviewing, my mind has turned to the traditional list of my top ten shows for 2018. It was pretty much settled until last night when a visit to the Menier Chocolate Factory to see the new production of  Fiddler on The Roof  has caused a rethink in the rankings. It is 1905 and in the Russian shtetl of Anatevka, Tevye (Andy Nyman) a farmer lives with his wife Golde (Judy Kuhn) and his five daughters Tzeitel (Molly Osborne ), Hodel (Harriet Bunton), Chava (Kirsty MacLaren ), Shprintze (Lia Cohen/Shoshana Ezequiel/Valentina Theodoulou) and Bielke (Sofia Bennett/Lottie Casserley/Matilda Hopkins). The family are very poor – barely on the breadline, it could be said – but somehow Tevye manages to keep his spirits up and, amongst his fellow Jews in the village, he is respected as a stout member of the community. This day, there is good news for the family. Tevye has met a drifter by the name of Perc...

©Nobby Clark – L -R Sara Stewart, Theo Ancient and Tom Kanji. Before Narnia, and long before Hogwarts, there was a book where children were the heroes encountering magic, good versus evil and the saving of Christmas. The book, written by John Masefield was  The Box of Delights  and 83 years later, Piers Torday’s adaptation of the story opens once more at Wilton’s Music Hall. At the start of the Christmas Holidays, young orphan Kay Harker (Theo Ancient) is on a train to his guardian Caroline Louisa. Whilst on the train, Kay meets a vicar by the name of Charles (Tom Kanji) and his companion, the vivacious Pouncer (Sara Stewart). The two of them seem to warm to Kay and Charles introduces him to a card game called ‘find the lady’. When the two leave him, Kay is upset to find he appears to have lost his wallet. However, he cheers up somewhat when he meets an old man by the name of Cole Hawlings (Nigel Betts). Cole is a friendly chap, who seems to know a lot about Kay alre...

Mother Goose Cracks One Out I’ve been reviewing just over four news and so far I’ve attended over 700 shows. Not a bad number but, in all that time, I’ve never managed to get to one of the famous Above the Stag pantomimes. However, this year, that is no longer true, as I attended the 2018 offering  Mother Goose Cracks One Out . In the generic northern mill town of Rugburn – Yorkshire side of the Pennines – Mother Goose (Matthew Baldwin) a kind-hearted hairdresser, runs her business assisted by her reluctant but dedicated son Gay Tommy (Liam Woodlands-Mooney). The two of them are very poor because Mother Goose is not only useless with money but is also very generous, giving away haircuts to the needy – which seems to be everyone – and generally being a bit of a soft touch. Her landlord and squire of the town Amos (Christopher Lane) is demanding his rent as he needs the money since his mill is not doing well. In fact, there doesn’t seem to be anyone happy in Rugburn, except mayb...